Burlesque differs greatly from anything else. There is no fourth wall in burlesque – it simply cannot exist. It’s an exchange of visions of beauty and an exchange of emotions, which is why, for example, it doesn’t work well on very large stages. People come for that live connection and for nostalgia.

It is striking how fates and meanings echo across time. After his legendary defection from the USSR in 1961, Rudolf Nureyev was declared a traitor to the Motherland and sentenced in absentia to imprisonment. And now, decades later, in modern Russia, a ballet about him – a man who became a symbol of freedom in the art world - is stigmatized and pushed aside.

The choreographer Sidi Larbi Cherkaoui returned to the Gran Teatre del Liceu in Barcelona with the duo of choreographies "Faun/Noetic" , both performed by the Grand Ballet de Genéve. In the gaze of the Belgian choreographer and dancer, the symbiosis between cultures and movements is almost always accompanied by a philosophical line, resulting in a communicative dance that transcends diversity of bodies, perceptions, and contexts. Through an artistic ideology formed by collec